Still Life With Taylor 18

Sit on the fire escape, with a cup of coffee, and watch her paint, through the open window. Brown black, blue black, green black. She’s lost in it. Listening to a voice only she can hear. Every once in a while holding the brush in her teeth, moving the paint with her hands, as though the brush isn’t enough to express the darkness, the stillness, inside her. She never paints daylight scenes. Says there’s no depth to it. Says that in darkness we expose ourselves.
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Still Life With Taylor 16

She’s safe. I’d say Matty and I were even. If I was keeping score. I always knew that Matty felt he owed me, after I took that shot for him in Montana. Never realized how far he would be willing to go to make it right. How hard he was willing to push back, just to go clean. Maybe he can’t help it that he takes advantage, it’s not like I’ve ever called him on it.
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Still Life With Taylor 14

Matty and Sal are playing a fucking dangerous game with these two. The Novo brothers, Tony and Nick. A team of assassins. Not really tied to any particular family. Will work for whoever will pay them. It’s too late to get Christine out now. Too late by far. Any attempt to run will just draw their attention all the more. The last thing you want is these two to notice you, to know that you’re afraid of them. All that’s left is to see this through.
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Still Life With Taylor 10

The cook shows up. He’s nervous. There’s been pressure to leave. He wants to stay here. Seems everyone is feeling the crunch. Waitresses are still too low level to worry about intimidating, and are a dime a dozen anyways. I suggested getting rid of two. Cocaine in the back room. Sure, it doesn’t seem like much, but the bikers are the ones that deal in it here. Some sort of weird alliance forming out there between the bikers and the cops. Don’t need a raid, it would finish us for sure.
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Still Life With Taylor 9

Tension pours back into him, as we near the back of the bar. A dark town car squats low, lurking, behind the dumpster. Two heads within. His hand on my hip. I’m no longer a thing held but a thing owned, his easy stride grown cautious and purposeful. An air of violence that eases, only slightly, when Matty opens the passenger side door, holding it open. He has put himself between me and the car, something I’m not sure even he realizes he’s done.
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